Picture for yourself reality. Is that reality immediate, direct, unexpected? Should we attribute this power of reality to something within the medium or to the medium itself? Reality, realized as a procedure of exclusion, as an attempt at reduction, has reigned over the scientific and artistic arguments that have existed over centuries. In the last twentieth century, this gateway was submerged in the continually rising flood of the everyday vocabulary of visual art.

[8:56 min] download for: mobile | computer & iPod | send feedback

The influence of this radical change on the work of the painter Franziska Maderthaner is visible. Instead of reduction, construction, de- and re-construction, and bricolage prevail. Instead of strict exclusion, surplus of meaning. Instead of the pathos of one, a play with references with which to assemble and compose. more »

Under revolving pastry plates with star motifs, cut-outs from pictures of bygone eras appear. Shadows of hands form letters over photographs and textiles throw folds over 16-millimeter film loops, which gradually go up in flames. Rotary pumps from aquariums propel multicolored oil droplets on water surfaces in a circular motion, instrumental sounds get mixed in with vocal experiments.

[6:49 min] download for: mobile | computer & iPod | send feedback

Visual and acoustic echoes bounce off the walls, flowing, climbing, covering, and piling over microphones and slide, overhead, and rattling film projectors. The projected collective spectacle succeeds in flooding the viewer with an overflowing variety in the form of a broad audiovisual image, creating a kind of audiovisual synergy. 4shrooms consider themselves the participants of such audiovisual performances. What they have in common is innovation, experimentation, and analog collaboration. more »