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The First Hit of PHANTOMAK
Opening, September 13 6 p.m., Gumpendorfer Straße 55, Vienna

CastYourArt presents

Artists: TOMAK and Alek Kawka.

Monday, September 13, 2010 the exhibition opening of “The First Hit of PHANTOMAK: The Ear Problem. No Problem.” takes place at CastYourArt Gumpendorfer Straße 55, Vienna. We are going to show artworks by TOMAK and photographs by Alek Kawka.

Twenty pictures, in which TOMAK dissects the project PHANTOMAK and literally shows us cutouts - heads, sculptures, identities, masquerade are the themes this pictures call into question. The artist Alek Kawka accompanies the project PHANTOMAK with her photography works.

Exhibition opening: Monday, September 13, 2010 at 6p.m., the artists will be present
Exhibition: September 14 until October 8, 2010 | Mo-Fr | 12p.m. – 5p.m.
Address: Gumpendorfer Str. 55, 1060 Vienna

The collection of the city of Vienna shows an enormous variety of approaches to the human figure. In other words: the sculpture steps off its pedestal – or not.

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The Museum on Demand MUSA houses much of the artwork purchased by the City of Vienna through the years and is currently displaying them in the exhibition “re_figuring spaces”. The collection that owes its existence mostly to sponsorship initiatives of the municipality provides a glimpse of the different positions on sculpture and their evolution in the last half-century, as well as a who’s who of the Austrian postwar art scene. more »

Allyson Mitchell’s activist art is meant to prod and provoke, but it draws you in with warmth, sincerity and just a little faux-fur.

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In Allyson Mitchell’s world, art isn’t precious or formal. In fact, you can touch it, feel it, and sometimes even walk on it. Take off your shoes in her Brooklyn, NY studio at the ISCP→ International Studio & Curatorial Program toe your way across a patchwork quilt of crocheted pot holders, toilet seat covers, blankets and you quickly become part of her signature installation in-progress more »

Constantin Luser challenges us to enter the maze of his imagination: he corners us against the wall of our indifference and confronts us with the unavoidable question whether we will ever be able to escape. But escape what? A portrait.

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In any case, it tames the wildness of our thinking, which means that when it happens –ever so rarely- the hegemony of the concept is erased and for a moment we are cured of our illness separating us from time – our rationality. more »

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Esra Ersen is interested in the formation of identity and its transformation in different contexts or power structures. Her work “Carousel” shown in the exhibition tanzimat (Augarten Contemporary 21.1.2010 - 16.5.2010) was produced with high school students from Cologne. Ersen asked the students to model Turkish heads out of clay.

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Franz Kapfer is an artist from Austria. His interest lies in patterns of representation.
In his work “Trophies” in exhibition tanzimat (Augarten Contemporary 21.1.2010 - 16.5.2010) he examines cliché representations of Turkish motives in Austrian architecture.

Developed in parallel to the major Prince Eugen of Savoy exhibition at the Lower Belvedere, tanzimat at the Augarten Contemporary examines the continual reorganization of historical constructs and devices that underscore the neverending project of modernity.

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It is an interesting fact that the fez, the iconic Turkish hat that was originally instituted as a “modernizing” symbol for the Ottoman Empire in 1826, was later banned in Turkey in 1925, also as part of a “modernizing” reform. It is also interesting to note that after the invention of synthetic dyes, the main manufacturer of the fez—which up until that point had been colored with native berry juice—was located in Austria, that is, until it was boycotted by Turkey in 1908 more »

Christian Eisenberger’s art work and performances often smack of insouciance, but, like a child and even more like an artist, his desire to engage is very real.

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When a tree falls down in the forest and noone witnesses it, did it really happen? When an artist makes a sculpture on top of a mountain and noone sees it, is it really art? more »

Fiene Scharp’s references to hair and skin confront us with our own corporeality and challenge us to place such normally mundane materials in a new context, not only in art, but in life as well.

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Beauty. Order. Cleanliness. Purity. Perfection. To all of these coveted qualities, hair is a threat, a flaw, a disturbance. more »